Shipping artwork to Dallas and the return will be the responsibility of the owner. To maintain the virtual catalogue raisonne, there is a nominal fee to summit an individual painting for an opinion and to be included is $350.00. The virtual catalogue raisonné enables museums, auction houses, collectors and owners of works by the Edouard Leon Cortès to submit their painting(s) to be included in the Cortes Catalogue Raisonné, which is searchable by Title (description), Provenance, Medium, Subject, Size, Inventory Number, Auction House, letter of authenticity (Klein or Verdier) and Date of Work. Cortes’ street scenes are also repetitive, which makes verification in a published catalogue using thumbnail images difficult. Marche aux Fleurs - Impressionist Landscape Oil Painting by Edouard Cortes, c.1960. Verdier now offer authenticity using images provided via email, which we feel is an inadequate process considering the fact that Edouard Cortès was a prolific painter with diverse subject matter (landscapes, marines, still life, portraits, etc.) executed in oil, pastel, watercolor, gouache and mixed medium. To address the international shipping issues, Mr. We also respect the opinion and letters of authenticity (provided these works meet authenticity criteria) issued by David Klein, Edouard Cortès, Le Poète Parisien de la Peinture. To address the numerous nuances (support, signature, palette, style, period, etc.) works by Edouard Cortès must be viewed in person, which involves sending works internationally to Paris. We recognize and respect the opinion, accept letters of authenticity (providing the works meet the authenticity criteria) issued by Nicole Verdier and included in Edouard Cortès Catalogue Raisonne of Artworks Vol. Works that do not meet the criteria will be stored for future reference but not included in the Cortès catalogue raisonné.Īfter 45 years of research, scholarship and dealing with the works of Edouard Leon Cortès and witnessing the confusion over authenticity, I decided that rather than publishing a multi-volume catalogue, we would address the authenticity issues surrounding works by Edouard Leon Cortes by creating a virtual catalogue raisonné for the artist's body of work. This catalogue raisonné is a comprehensive, annotated listing of all the known artworks by Edouard Leon Cortès in all mediums (oil, watercolor, etc.) The works that meet the Cortès catalogue raisonné committee's criteria will be included and described in such a way that they will be searchable and reliably identified by third parties. Thank you for visiting the Virtual Catalogue Raisonné for the complete works Edouard Leon Cortès (French 1882-1969). , featuring works by fine artists such as Julie Bell.Edouard Leon CortesCatalogue Raisonné for the complete works of Edouard Leon Cortès (French 1882–1969) The gallery is working on the catalogue raisonné research projects for Daniel Ridgway Knight, Julien Dupré, Emile Munier, and Antoine Blanchard.Īlso located on 5 57th St., in Manhattan, is Rehs Contemporary Galleries, Inc. Rehs Galleries, along with its principals, is regarded among the world’s top dealers of 19th and early 20th-century European paintings. At age 16, he made his debut at the Paris Salon with Le Labour, which borrows from realist and naturalist painters, as well as his father and his older brother André, best known as a skilled painter of horses. 6, 1882, in Lagny-sur-Marne, France, some 20 miles east of Paris, into a family of artists, including his father, Antonio Cortés, a painter for the Spanish Royal Court, Cortès began training as a boy. In April, Place de la Republique en Soir (circa 1905), unseen for 114 years, found its way to Rehs Galleries, Inc., in pristine condition, as the most rare Cortès painting on the market, at the time.īorn Aug. Some 500 works by Cortès have passed through Rehs’ hands over the years in his family business, selling more than 75 paintings by the artist over the the last two years alone. “We sent an email to one of our important collectors and they were sold!" “We did not even have an opportunity to exhibit the works,” said Rehs. When the American buyer, one of the elite gallery’s most revered (and confidential) clients, received the paintings, he proclaimed: “They’re perfect.” All they needed was a light cleaning and new frames." “Also, knowing that they have not been touched since they were painted, usually ensures that their condition is as close to perfect as possible. “You never know what you will find when you open up an email, and to find these fresh-to-the-market works is an art dealer's dream,” Rehs, director of Rehs Galleries, recalled. By 1957, Cortès began sending paintings to Johnson regularly, including Moulin Rouge and Avenue de l’Opera. 20, 1956, Johnson offered the artist a solo show, which Cortès declined amid a spike in demand for his work. Johnson, of Johnson Galleries, traveled to France and met with Cortès.
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